Dumb 1920 s comic
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The Stripper's Guide blog discusses the history of the American newspaper comic strip. Tuesday, May 22, Advertising Strips: Dulcy the Beautiful Dumb-Bell Movies have advertised themselves by way of comic strips practically since the two mediums were initially popularized. In the early s and before, the tendency was to advertise the characters rather than the movie plot per se, and Dulcy the Beautiful Dumb-Bell follows in that direction. The silent film Dulcy starred Constance Talmadge as a scatterbrained young beauty who tries to help her husband get ahead in business through a wacky scheme. This scenario is about as tired a plot device as you can imagine, but in the hands of George S. Kaufman, who co-wrote the original play, and Anita Loos, co-screenwriter, I imagine it was a fun film.
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If Melville's work is mostly about men, why is his work of interest to women? The question is silly, of course. Human beings are first of all human, and love to see, read, think about, ponder, and admire human works. Women, like men, stop short to hear tales told with suspense and subtlety, or poetry that is sublime, or theatre that wakes us from the deep sleep of everyday life. The question dates from the androcentric Melville revival in the s, which was so aptly described by Paul Lauter over a decade ago in his "Melville Climbs the Canon. Melville, as we know, was tapped in the s to establish American male hegemony in the cultural world, to promote America to itself, as manly, vigorous, and deeply rooted in Anglo-Saxon or Nordic-looking ancestry; Melville with his English, Scotch-Irish, and Dutch ancestors fit the bill perfectly.
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Walt Disney's Laugh-O-grams, 1921-1923
According to King Features Syndicate, Young had a daily readership of 52 million. Stan Drake, who drew Blondie in the s and s, stated that Young "has to go down in history as one of the geniuses of the industry. The comic strip is distributed by King Features Syndicate, and has been published in newspapers since September 8, The success of the strip, which features the eponymous blonde and her sandwich-loving husband, led to the long-running Blondie film series — and the popular Blondie radio program — Paul Fung — was an American cartoonist best known for the comic strip Dumb Dora.
He made these cartoons by himself and with the help of a few friends. Of these fillers, only the pilot survives, a two-and-a-half minute sample reel that reveals the format: the hand of a lightning sketch artist composes gently satirical drawings that come to life in a final animated sequence. The last scene of the pilot, which editorializes on local police corruption headlines, was animated by Disney alone.